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extranuance:

In the French Style (1963) Jean Seberg

extranuance:

In the French Style (1963) Jean Seberg

(via dfordoom)

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Ken Loach’s POOR COW.

Ken Loach’s POOR COW.

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THE NIGHT PORTER.

THE NIGHT PORTER.

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Shohei Imamura’s THE BALLAD OF NARAYAMA.

Shohei Imamura’s THE BALLAD OF NARAYAMA.

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For my hundredth Tumblr post, what could be more appropriate than this technically impeccable five minute clay slab of sexploitative nonsense.

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Kirk Douglas. It is, of course, ACE IN THE HOLE.

Kirk Douglas. It is, of course, ACE IN THE HOLE.

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PUSHER III.

PUSHER III.

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The limitlessly bleak finale of the ever-discombobulated, yet strangely cunning TO BE TWENTY.

The limitlessly bleak finale of the ever-discombobulated, yet strangely cunning TO BE TWENTY.

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EYEBALL!

EYEBALL!

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An extract from the latter half of the thoughtful, brutal VIOLENT COP. For those who are keen to avoid spoilers, and this certainly constitutes one, the first 32 seconds are sufficient, containing as they do one of my all-time favourite shock cuts.

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UZUMAKI. Admission: I didn’t care for it, the first and only time I saw it, years ago, but the few punches it threw it certainly didn’t pull.

UZUMAKI. Admission: I didn’t care for it, the first and only time I saw it, years ago, but the few punches it threw it certainly didn’t pull.

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SUICIDE CLUB. Slayed me.

SUICIDE CLUB. Slayed me.

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Fuck me. An amazing poster for VENGEANCE IS MINE (1979).

Fuck me. An amazing poster for VENGEANCE IS MINE (1979).

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THE LIFE OF DEATH OF 9413: A HOLLYWOOD EXTRA.

THE LIFE OF DEATH OF 9413: A HOLLYWOOD EXTRA.

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RETURN OF THE STREET FIGHTER.

RETURN OF THE STREET FIGHTER.